Here, Bridgerton really digs into the practicalities of "improper" matches like never before, with Ha giving an impeccable performance through Sophie's frustration at her options, lamenting "love in the face of generations of established practice." The series also gives Violet Bridgerton (Ruth Gemmell) a complex narrative arc with her reaction to Sophie and Benedict's attachment, gifting Gemmell and Thompson many a dramatic scene unpacking the nature of "appropriate" marriage matches. Plus, series favourite Jonathan Bailey is excellent this season as the devil's advocate, Anthony Bridgerton, with a brief return seeing him lay down the societal law for his brother.
I find it plausible to think that early humans began to observe, to feel the difference between right and left, and to ascribe qualities like “clumsy,” “awkward,” “crooked,” and “tired” to the less dexterous hand (it is interesting that these very terms still show up prominently in today’s modern languages) and correspondingly positive qualities to the right hand preferred by the majority. This process, intertwining emotion and cognition, can well be expressed in the terms of embodiment... The semantic values with which the terms for left and right are charged in almost all the languages examined for this survey could have their origin in this very process: embodiment turned into words.
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